I am first and foremost a screenwriter and narrative filmmaker, driven by a deep interest in character, emotional truth, and socially conscious storytelling. My preferred vocation is writing and directing narrative work, particularly stories rooted in identity, internal conflict, satire, and coming-of-age experiences.

I am currently a Class of 2027 Documentary Film major at Spelman College — not as a detour from narrative filmmaking, but as the closest and most rigorous pathway available within Spelman’s academic offerings. While the college does not offer a narrative filmmaking major, the documentary program has provided a powerful foundation in research, visual language, ethics, and truth-seeking that directly strengthens my narrative work.

Through coursework in screenwriting, cinematography, sound design, Black cinema, digital media production, documentary filmmaking, and graphic design, I’ve developed a storytelling practice that blends narrative structure with cultural analysis and emotional precision. Documentary training has sharpened my ability to observe real people, interrogate systems, and tell stories grounded in lived experience — skills I intentionally carry into my scripted work.

In 2024, I expanded my global perspective through a study abroad program in Milan, Italy, focused on leadership and cross-cultural communication. This experience further shaped how I approach narrative storytelling with nuance, curiosity, and a sensitivity to context.

While documentary informs my craft, narrative filmmaking remains the center of my creative ambition. I aim to write and direct stories that challenge institutions, elevate underrepresented voices, and leave audiences feeling both seen and unsettled in productive ways.